“Gabrielle Cody has the ability to see the demons among us as they really are-and the responsibility to destroy them. She can’t allow anyone to get in her way, even the magnetic Detective Luther Cross. Sensing a malevolent presence watching and stalking her, Gaby is drawn again and again to an abandoned hospital surrounded by an aura of sickness and suffering-and unimaginable evil.”
Servant: The Awakening is a departure from Lori Foster’s other work, hence the pseudonym of “L.L.”; and while the spine says “paranormal romance,” and while the book is shelved in the romance section, I’m not sure that it’s necessarily true to category placement. Don’t get me wrong, there’s an emotional attachment growing between the main character, Gaby, and Luther Cross, but the romance is overshadowed by the monsters, the action, and the body count.
When I first started reading this novel I wasn’t at all convinced I was going to enjoy it or be engaged enough to finish it. But for the second time in the past few months I’m glad I read past the quarter mark, giving the novel a chance to settle, for the characters’ motivations to become at least a little clearer.
My initial concern was that Gaby wasn’t going to turn into someone I could stay with over the course of 300 pages. A twenty-one year old woman, charged by God to neutralize true evil, she was erratic at first. Even seemed a little delusional. She was crass and uncaring. And though she mellowed a bit I still am hard pressed to agree with Elizabeth Lowell’s blurb on the back cover: “One of the most intriguing heroines since J.D. Robb’s early Eve Dallas books.” Gaby and Eve may share the same tough-as-nails, get-out-of-my-way attitude, but that’s where the comparison ends. Even so, Gaby came alive, had much more depth, when paired with Luther in any given scene. True, the romance isn’t overwhelming in this, but Foster has laid a solid foundation for future titles; honestly, I’m looking forward to seeing it develop.
I tagged this book as fantasy and horror because both seemed a little more appropriate than the romance moniker slapped below Berkley’s insignia. On Foster’s site, she states that she sees them more as urban fantasy, but considering the introduction to the story is of a faceless person physically disposing of a comatose patient’s fingertips, well…horror works, too. Gaby’s whole purpose is to destroy individuals who reek of evil, true evil, as in from Hell, and more than one meets his or her end at the tip of Gaby’s knife. So there is blood and glanced upon mutilation, enough at least to make some cringe, while not being so gorey as to repulse.
I would love to know more about Gaby’s calling, her background, all of the pesky why’s and how’s that didn’t get answered in this installment; I hope Foster has taken the time to flesh some of those issues out in the next book, Servant: The Acceptance, which is set to be released this September. I’ll definitely be picking up a copy to see how the arc progresses.
As for the book itself, I got my copy last October on a family vacation in Florida; even though I haul books on any trip, I never seem to leave the destination without another one or two. Or, okay, five. I had heard about this one, some pre-release buzz, and the cover definitely caught my attention. John Blumen’s
depiction of Gaby surrounded by humanity’s demons is eye-catching…Too bad it isn’t true to character. The halo of pure golden light around her head is indicative of her mission, but Gaby comments way too many times how she is basically the anti-female, with no curves or attracting features. The Gaby of the cover is rather lush and pretty. One reader chalked this up to being Gaby’s alter ego {she writes/illustrates graphic novels for a living, recounting her encounters with monsters and their like,} but even so…
I’m not sure this would be for everyone; I’m still not sure, in fact, how much I actually enjoyed it overall. But it’s got enough substance to bring me back, as I said. And that, at least, is saying something.





